A lively new outdoor production of The Merry Wives of Windsor is set to grace Melbourne's Royal Botanic Gardens.
Watch Sir John Falstaff's outrageous attempts to woo two clever wives, only to find himself the target of their cunning revenge.
With the beautiful backdrop of the Botanic Gardens, this production promises an enchanting evening of outdoor theatre, perfect for Shakespeare lovers and newcomers alike.
Packed with love, jealousy, and laugh-out-loud pranks, this lively tale of mischief and mayhem will leave you smiling. Don’t miss this classic romp in Windsor!
21 Dec 2024 to 25 Jan 2025
Royal Botanic Gardens Melbourne - Southern Cross Lawn
100 Birdwood Avenue, Melbourne 3000
Gates open 2 hours prior to the performance start time listed on your ticket.
Venue Information2 hours, 30 minutes (including a 20 min intermission)
Buy TicketsAll bookings include a $5.50 transaction fee to help support our ticketing system and administration.
Group bookingsCall our team on 03 8676 7511 or visit the link to complete a group booking and save!
Souvenir programme, Premium Reserved seating area with low-rise chair, pre-show to complimentary red, white, or sparkling wine, complimentary tea, coffee or hot chocolate during intermission.
You can exchange your tickets up to 3 hours prior to the performance time.
Shakespeare’s The Merry Wives of Windsor is a spirited and farcical comedy set in the bustling town of Windsor. The story revolves around Sir John Falstaff, a larger-than-life knight known for his charm, wit, and penchant for mischief. Falstaff, down on his luck and in desperate need of money, devises a cunning plan to improve his fortunes: he sends identical love letters to two affluent married women, Mistress Alice Ford and Mistress Margaret Page, intending to seduce them and gain access to their wealth.
Unbeknownst to Falstaff, the two women are close friends and quickly discover his ploy. Rather than confront him outright, they decide to outwit him with a series of clever schemes. Their first act of revenge involves luring Falstaff to a rendezvous, only to trick him into hiding in a laundry basket full of dirty linens, which is then dumped into the river. Undeterred, Falstaff continues his pursuit, falling for more elaborate pranks, including being disguised as a woman and humiliated in public.
Meanwhile, Mistress Ford’s husband, Frank Ford, is consumed by jealousy. Convinced of his wife’s infidelity, he disguises himself as “Master Brook” to spy on her and test Falstaff’s loyalty. His actions lead to more misunderstandings, as the townsfolk unwittingly become part of the tangled web of deceit and hilarity.
Parallel to Falstaff’s misadventures, a romantic subplot unfolds involving Anne Page, the spirited daughter of Mistress and Master Page. Anne is pursued by three suitors: the dim-witted Slender, the pompous Dr. Caius, and her true love, the honest and earnest Fenton. Anne’s parents disagree on the ideal match for their daughter, with her mother favoring Dr. Caius and her father supporting Slender. However, Anne defies expectations, taking matters into her own hands and choosing to marry Fenton in secret, leading to a heartwarming and unexpected conclusion.
The story builds to a joyous climax in Windsor Forest, where all the characters come together for a final prank. Falstaff, dressed as the mythical Herne the Hunter, becomes the target of a playful ambush by the entire community, including children disguised as fairies. In the end, Falstaff accepts his defeat with good humor, the jealous Ford learns to trust his wife, and Anne Page and Fenton’s love triumphs over all obstacles.
This delightful comedy is a celebration of wit, love, and community, brimming with humor and charm. Through its playful exploration of human folly and resilience, The Merry Wives of Windsor remains a timeless testament to Shakespeare’s genius.
Please note; In the spirit of making theatre accessible to all, the Australian Shakespeare Company’s adaptations occasionally streamline the script and condense storylines. These thoughtful adjustments ensure performances remain engaging, dynamic, and enjoyable for modern audiences, while maintaining the heart and humor of Shakespeare’s work.
Costume Design | Karla Erenbots
Production Manager | Peter Amesbury
Stage Manager | Sophie Walter
Sound Operator | Will Leslie
Sound Cover | Joshua Sunderland
Site Manager | Kelly Harris
Construction Manager | Dave Angelico
Costume & Props Coordinator | Kaspa Elston
Production Photography | Ben Fon
Publicist | TS Publicity (mary@tspublicity.com.au)